Essay Topics for Apply Texas - What Is It?

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Genre-Crossing Authors An Interview With One Who Does It Well

Genre-Crossing Authors An Interview With One Who Does It Well Ernest Hemingway, Margaret Atwood, C.S. Lewis, Maya Angelou, Joan Didion    a small sampling of some of the all-time great authors who also happened to cross genres with their writing. For some reason, this ability has always fascinated me as a reader. To seamlessly go from memoir, to travel guide, to novel, to poetry collection and do it successfully is a task that only a very skilled writer can pull off. This year, Ive seen a number of authors delve into new genres for the  first time. Steven Pressfield, generally known as a fiction writer, came out with  The Lions Gate, a  history book about  the Six-Day War. Ben Mezrich, who chronicled the rise of Facebook in Accidental Billionaires is debuting as a novelist with Seven Wonders  releasing this month. And the author featured in this article, Marcus Brotherton, is also making his fiction debut with the marvelous Feast For Thieves. Of those three that I read, I especially loved Brothertons novel, as it turned out to be a book with a lot of religion in it that wasnt either cheesy (see Amish fiction) or conspiratorial (see The Da Vinci Code). So I decided to ask him some questions about what it was like to cross genres as a successful, published author. *Disclaimer: I know and occasionally work with Marcus over at my day job. It was I, however, who approached him for this interview because I really enjoyed his book. 1. When did you start writing for fun and not as part of a school assignment? In high school I started to write short stories for fun. Sometimes I’d show them to a teacher or a friend. Sometimes I just kept them to myself. By that point in my schooling, I was incensed that in English classes we were always forced to study great works of fiction, but we were never given the chance in school to write any fiction ourselves. We were always supposed to write analytical essays about the short stories or novels we read, rather than look at the creativity of the pieces and try to produce something similar. Sure, high school students need to learn how to write clear essays. But young people also need to be taught how to write creatively. There’s a dearth of creative thinking today. 2. When you first wrote, was it fiction or non-fiction? I started writing professionally as a newspaper reporter for the Reflector, a mid-sized independent weekly in southwest Washington. My title was “General Assignment,” which meant I covered everything from bus strikes to murders to the new cigar shop opening up in town. Often I had no previous in-depth knowledge about what I was tasked to write about. So I just sort of parachuted into the middle of a story and asked questions to fight my way out. Each day for 5 years I wrote a thousand words a day. That was solid training. You learn how to write a clear, declarative sentence, over and over again. 3. You’ve published over two dozen non-fiction works, specifically in the history genre. Why did you start there? Was it easier to get published? Or was that simply where your desire was? I fell into writing about history. By the time I was working at the newspaper I had a wife and a child to support and a mortgage to pay, and my newspaper job wasn’t cutting it financially, so I needed to moonlight to pay the bills. A former professor of mine worked in the book industry, and he sent me a few books to edit. The more I edited, the more I enjoyed it. I collaborated on a couple of books, and my name began to circulate throughout the book industry. Soon I had more editorial work than I could handle. In 2005 I quit the newspaper and opened my own editorial company, working with publishers to help authors develop and write their books. At the start, mostly I worked on collaborations. I did a few full-length biographies, then one day my agent called. Lt. Buck Compton, one of the original Band of Brothers, wanted to write his memoirs. Was I interested in collaborating with him? I said yes in a heartbeat, then in a quieter moment wondered what I’d done. I didn’t know anything about WWII. But I got busy and studied a lot within the genre, and Buck turned out to be a fabulous teacher. Buck’s book led to other military non-fiction book projects    several of which I was the sole author. The three I’m known best for are A Company of Heroes, Shiftys War, and We Who Are Alive and Remain, a New York Times bestseller. From 2006 to 2012 I interviewed WWII vets almost nonstop, and due to the success of those books, some people today know me more as a historian, but that’s not quite accurate. I’m more of a journalist who’s been fortunate to work with living legends. 4. As a published non-fiction author, when did you know you wanted to delve into fiction? Fiction has always called to me. With a novel, you need to bring alive everything, dream up everything. The characters. Story. The world they live in. The conflicts and challenges that arise. How the characters overcome those obstacles. How everything resolves satisfyingly at the end. Fiction offered me a big blank canvas that allowed me to be as creative as I could be 5. It obviously requires a different set of skills â€" was that a hard transition? I first started writing fiction back in 2003, when I was still at the newspaper. I figured that since I was a pretty good writer already, all I needed to do was sit down at the keyboard, and the next Catcher in the Rye would flow out of me. Didn’t work that way, sorry. In the years since, I’ve actually written three and a half other novels that needed to be thrown away. All of those throwaway books had strengths, but none of them were good enough to be published. Fiction writing is an extremely competitive field, and these other books all proved to be learning experiences for me. Writing a few throwaway books first is pretty typical in novel writing. There’s a unique set of rules that every author needs to learn before he can succeed. It’s a very steep climb to break in and succeed. 6. Were you continuing with non-fiction works while writing your novel? If so, was it hard to go back and forth? Non-fiction has been my bread and butter over the years, and I enjoy it and can make a living at it. So, all the time that I was learning how to write fiction I was writing non-fiction too. After I’d written a few novels that didn’t find publishers, I wised up and started studying books on the craft of story structure and character development. I read book after book after book. It was like getting a university education all over again. Most of the things I learned I could apply to non-fiction too. How to craft a book around a three-act structure. How to make sure your protagonist has a clear goal. How to position him against increasingly difficult obstacles. Stuff like that. 7. What was the publishing process like for your novel versus your previous non-fic books? Was it different? What you expected? It was difficult. If you’re just breaking into fiction then conventional wisdom says you need to stick with predictable and established commercial genres    stuff like mysteries or romances. Right away my story wasn’t predictable. Set in 1946, it’s sort of a neo-Western crime thriller with a twist of WWII thrown in    and it wouldn’t fit neatly into any category. That scared my agent a lot. When we shopped the manuscript to publishers, we had tons of acquisition editors tell us they absolutely loved the story and writing style. But when the book reached the sales teams at various publishing houses, they’d shoot it down. The sales guys simply hadn’t seen a book like this, so they didn’t know what to do with it. Finally one publisher, River North Fiction out of Chicago, was brave enough to bite on it. 8. Do you have any favorite authors that crossed genres? Many novelists will write a memoir or an essay collection, but few have a variety of substantial fiction and non-fiction works. Hemingway comes to mind off the top of my head. Are there others that you drew inspiration from? Definitely Hemingway. I’ve copied out long portions of Hemingway books, just to have the feel of his words pass through my mind and fingers. The legendary C.S. Lewis wrote both fiction and non-fiction. I love his novel, Till We Have Faces. John Grisham is the king of novel writing, yet a few years back he crossed the other way to do a non-fiction book, The Innocent Man. Tim O’brien has written about the Vietnam War from a mixed perspective of fiction and semi-autobiographical memoir. His book The Things They Carried is absolute poetry, one of the most lyrical and haunting war books ever produced. I have tremendous respect for Uncle Toms Cabin by Harriet Beecher Stowe. It was both a novel and a play and is a great example of the power of literature to help change people’s lives for the better. Katherine Boo’s Behind the Beautiful Forevers  chronicles life in a makeshift settlement in the shadow of luxury hotels near the Mumbai airport. She’s a modern-day example of a fearless journalist whose writing holds forth remarkable power. Her book was a finalist for the 2013 Pulitzer Prize. Stylistically, I enjoy    and study    a ton of writers, both living and dead, both novelists and non-fiction writers. With fiction, David Benioff and the great Elmore Leonard come to mind immediately. Harper Lee, who wrote To Kill a Mockingbird has an unparalleled voice. Jack London. John Steinbeck. Mark Twain. Yann Martel, who wrote Life of Pi.  Carolyn Chute’s book The Beans of Egypt, Maine, is so gritty, so raw. Almost everything Cormac McCarthy writes is fantastic. In non-fiction, Laura Hillenbrand is at the top of her game. Bob Welch is right up there too. Malcolm Gladwell is in a class by himself. So simple. So clear. I just finished The Boys in the Boat, by Daniel James Brown. The book is nonfiction, but his story-craft is great. 9. I know plenty of readers who are adamant about not reading fiction. Your non-fic books may even have some of those readers. What would you say to those people about fiction? Folks  will sometimes say they don’t read fiction because they want to read only “the truth,” and they insist fiction is untruth because it’s made up. But there’s huge truth in fiction too. It comes embedded in the narrative. Since the truth in fiction comes wrapped around a story that captivates your attention, sometimes the truth will be presented so powerfully that it impacts you more strongly than if you’d read the same truth in a non-fiction book. ___________________ Much thanks to Marcus for answering my questions. Let me know in the comments who some of your favorite genre-crossing authors are!

How to Come Up With the Table of Contents For a Research Paper

<h1>How to Come Up With the Table of Contents For a Research Paper</h1><p>One of the most significant components of any examination paper is the Table of Contents. It is exceptionally useful in discovering all the key focuses and realities that will be shrouded in the body of the paper. In that capacity, the Table of Contents is quite often the primary thing an understudy sees when perusing the whole paper. Be that as it may, it isn't in every case simple to make one.</p><p></p><p>Papers are commonly composed by understudies, typically in the fourth or fifth year of school. This is the place investigate turns out to be so well known, and there are bunches of points that understudies love to cover. Most understudies have discovered points for their papers coincidentally, as they unearth significant things when doing research on the web or discover a theme that interests them.</p><p></p><p>As with different subjects, loo k into has a few sections, and keeping in mind that one may take up a specific piece of the field in one's group, it probably won't be instructed in different courses or labs. The most ideal approach to stay away from the issue of thinking of the Table of Contents for an exploration paper is to consistently search for subjects in course books and on the web. These sources are nearly ensured to furnish you with the point that your topic master would recommend.</p><p></p><p>Once you have chosen the theme you need to inquire about, you have to pick the different labs and modules that will be utilized for this venture. To do this, you have to see whether there are labs appointed to a specific point that fall under the particular theme that you might want to explore. To do this, you can contact the office that shows your picked subject and inquire as to whether there are assignments accessible that include the points that you have picked. Truth be told, you can ev en discover free assignments online!</p><p></p><p>If there are assignments offered for your picked subject, ensure that you take the entirety of the various labs relegated to your point, and ensure that you incorporate an abstract of every one of them. In the event that you neglect to do this, you may be sitting around idly searching for the fitting lab, and consequently it won't be appropriately used for your project.</p><p></p><p>This is a significant piece of the Table of Contents for an exploration paper, since it is the motivation behind why you decided to do your examination in any case - the capacity to see initially what is being instructed in the various labs and modules that you have picked. With this, it will be simpler for you to look into viably and will likewise assist you with composing your paper effectively.</p><p></p><p>The next piece of the Table of Contents for an exploration paper is the wat chwords. Obviously, this is a simple part to think of. The points you have picked will as a rule have some sort of catchphrases that go with it. This is the essential thing that you should search for in all subjects, since you will be searching for watchwords in all the exploration papers that you write.</p><p></p><p>The catchphrases are the meat of the examination papers, so you should consistently remember that while picking among the different themes that you can browse. Some may be anything but difficult to think of, however others may require somewhat more work. Take as much time as necessary to ensure that you utilize the catchphrases viably, and afterward you will have the option to compose the Table of Contents for an examination paper in no time!</p>